By Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,
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Extra resources for Afterimage Vol. 38 No. 2
I 'A-, andalso lectures at Birkbeck College, the Univer'it), oif london. NsO IES s1. 010 2 l1nd, Above Jason, Walter and P•ay (2006) by Richard Billingham; ' the artist; courtesy of Anthony Reynolds Gallery, London > THE TECHNOLOGICAL 0 BALDESSARI m John Baldessari: Pure Beauty 28 l I 1990, the Ios Angeles \Iuseum of Contemporary Art (LACNIA lainched a Balciessari exhibition that introduced the artiist to those unacquainted ssith his works, arsd now (if refirence to his creations. twenty years later.
So it was with great antitipation that I awainted the publication of Christopher Payne's book, ,,hrlum (2009). two scary elves bearing tlse tidings "Seasons Greetings" at Traverse City State Hospital in Michigan. 1sakenngs (1973). Sacks describies tite asyluts as "a ptlace where one could tie both miad and saife"' Hospital in NewJersey, an auttopsy theater froom St. C. 'The book ends with photographs depicting death: (5) antd this was tise space my stepfather created for his patients. 'IThe essay by Sacks, who worked in a state mental hospital in the Brotix for a wooden wicker casket and unused grave markers from St.
The high-resolution camera and large format are animals that inhabit spaces defined by a range of restrictive forces varying from the zookeepers to the necessities ofdaily life, and from reserved fiii landscapes that represent less sublime but more intimate the canon of pastoral art history to bodily vulnerability of both spots of grass, trees, and water in non-specific locations. Like his earlier "Ray's a Laugh" series, the exhibition presented voting and old. Billingham's photographs share the acceptance and occasional melancholia that comes with the acknowledgment of such forces.
Afterimage Vol. 38 No. 2 by Francis Frascina, Rachel Stevens, Claudia Pederson, Stephen Longmire, Christine Ross, Alisia G. Chase,