By Alan Goldsher, George Benson
Synopsis from Amazon:
Over the span of his illustrious five-decade occupation, George Benson has offered hundreds of thousands of files, played for thousands of thousands of lovers, and lower the most loved jazz and soul tunes in song historical past. however the guitarist/vocalist is far greater than "This Masquerade," "On Broadway," "Turn Your Love Around," and "Give Me the Night." Benson is a flat-out idea, a multitalented artist who survived an impoverished early life and molded himself into the 1st true-and really successful-jazz/soul crossover artist. And now, at the heels of receiving the celebrated NEW Jazz Masters award, George has eventually made up our minds to inform his tale. And what a narrative it is.
Benson: The Autobiography follows George's awesome upward thrust from the ghettos of Pittsburgh to the levels of South Africa, and all over in among. George Benson is an unheard of storyteller, and his stories of scuffling at the Chitlin Circuit with jazz legend Brother Jack McDuff, navigating his method in the course of the recording studio with Miles Davis, and acting with the likes of Frank Sinatra, Tony Bennett, Stevie ask yourself, Aretha Franklin, B.B. King, Quincy Jones, Benny Goodman, Rod Stewart, Chaka Khan, count number Basie, and Lou Rawls will enthrall devotees of either song historical past and pa culture.
A deal with for severe listeners, hardcore guitar aficionados, and informal track fans alike, George's long-awaited publication permits readers to satisfy the guy who's some of the most liked, prolific, and bestselling musicians of his or the other era.
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Extra resources for Benson: The Autobiography
One upshot of Schlegel’s view of philosophy is that our knowledge claims will never attain a necessary, systematic unity. 88 Schlegel emphasizes change and endorses a “genetic” or “synthetic” method. This, I argue, is an essentially historical method in which change is primary. In order to clarify this, I present Schlegel’s critique of paradigms of philosophy that rely upon the concept of the ‘thing’ as something ahistorical and static and discuss how this ties into his claims regarding the Wechselerweis.
It is in this sense that Schlegel’s seemingly lighthearted characterizing of Kant as the Spürhund and Fichte as the Jäger of philosophy takes us to a deeper philosophical point regarding what philosophers are able to achieve: the idealists go after and believe they have hunted down the Absolute, whereas the early German Romantics are convinced that we can be on the trail of the Absolute and get ever closer but never hope to capture it. This point has crucial ramiﬁcations for their view of knowledge and of truth.
Richard Rorty is a well-known, even infamous, ﬁgure, who is well aware of the effects that reductionist views of philosophy have had upon the development of the ﬁeld. He describes the legacy of positivism in his characteristically provocative way: “Logical positivists such as [Carnap] trained students to brush past romance and to spot nonsense. In the space of two generations, [. ] dryness won out over [. ] romance. ”3 According to Rorty, the only way out of this stagnant water is to see that “Philosophy is best seen as a kind of writing.
Benson: The Autobiography by Alan Goldsher, George Benson