By Joseph Frank
During this ebook, acclaimed Dostoevsky biographer Joseph Frank explores the most vital points of 19th and 20th century Russian tradition, literature, and historical past. Delving into the differences of the Russian novel in addition to the conflicts among the spiritual peasant international and the trained Russian elite, "Between faith and Rationality" monitors the cogent reflections of 1 of the main unique and flexible critics within the field.
Frank's essays supply a discriminating examine 4 of Dostoevsky's most famed novels, speak about the talk among J. M. Coetzee and Mario Vargas Llosa at the factor of Dostoevsky and evil, and confront Dostoevsky's anti-Semitism. the gathering additionally examines such subject matters as Orlando Figes's sweeping survey of the historical past of Russian tradition, the lifetime of Pushkin, and "Oblomov's" impression on Samuel Beckett. Investigating the omnipresent non secular subject matter that runs all through Russian tradition, even within the antireligious Chekhov, Frank argues that no different significant eu literature used to be as a lot preoccupied because the Russian with the tensions among faith and rationality. "Between faith and Rationality" highlights this special caliber of Russian literature and tradition, supplying insights for basic readers and specialists alike.
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Extra info for Between Religion and Rationality: Essays in Russian Literature and Culture
The third narrative strand consists of all the ancillary episodes that Dostoevsky introduces in such profusion, and which, allowing him to roam far and wide, add so much vivacity and even grotesquerie to what is otherwise a hauntingly tragic story. The ﬁrst of these plot-lines centers on the Nastasya–Myshkin–Rogozhin triangle, and on the prince’s efforts to rescue the once-violated but now regal and commanding Nastasya from the self-destructive consequences of her own resentment and rage. She had fallen prey to what Dostoevsky called elsewhere (in his ﬁrst post-Siberian novel, The Insulted and Injured) “the egoism of suffering,” that is, an egoism turned back upon itself in 21 PSS, 28/bk.
According to Anna’s Diary, much closer to the event than her later Reminiscences, Dostoevsky was so impressed with the painting that he climbed on a chair to obtain a closer look; and Anna was terriﬁed that the law-abiding Swiss would ﬁne him for such a violation of museum decorum. ” Anna’s description of the work, which may be assumed to contain the impressions of her husband as well, stresses that while the body of Christ usually contains “no marks at all of pain and suffering,” in this case the opposite was true.
21 The notes reveal that he continued to struggle with this problem all through the remainder of the book. On the one hand, as he writes, it was necessary “to show . . ”23 Dostoevsky thus was faced with the dilemma of creating a hero lacking all the usual attributes associated with such a ﬁgure, but whose moral-religious purity would somehow shine through and redeem his practical impotence. Four The Idiot is the most loosely constructed of Dostoevsky’s major novels, no doubt because of its sudden emergence but also because of this inherent difﬁculty of constructing a determining sequence of action for his main ﬁgure.
Between Religion and Rationality: Essays in Russian Literature and Culture by Joseph Frank