Download PDF by Chuck Klosterman: Chuck Klosterman on Film and Television

By Chuck Klosterman

From Sex, medications, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, those essays at the moment are on hand during this publication assortment for enthusiasts of Klosterman's writing on movie and tv.

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The idea of these programs being entertaining never seemed central to anything, which remains the most fascinating aspect of all televised art: consumers don’t demand it to be good. It just needs to be watchable. And the reason that designation can be applied to Saved by the Bell has a lot to do with the fundamental truth of its staggering unreality. Saved by the Bell followed the lives of six kids at a California high school called Bayside. Architecturally, the school was comprised of one multipurpose classroom, one square hallway, a very small locker room, and a diner owned by a magician.

When two people live together, there’s typically an unconscious Odd Couple relationship: There’s always one fastidious guy who keeps life organized, and there’s always one chaotic guy who makes life wacky and interesting. Somehow, the hot dog eater and I both fit into the latter category. In our lives, there was no Tony Randall. We would sit in the living room, drink a case of Busch beer, and throw the empty cans into the kitchen for no reason whatsoever, beyond the fact that it was the most overtly irresponsible way for any two people to live.

You need to be able to deduce who a given Real Worlder represents socially before the second commercial break of the very first episode, which gives you about eighteen minutes of personality. It was very easy to make RW 1 Kevin appear one-dimensional, even if that portrayal wasn’t accurate; he gave them enough “race card” material to ignore everything else. Thus, Kevin became the inadvertent model for thousands and thousands of future Real World applicants—these are the people who looked at themselves in the mirror and thought, “I could get on that show.

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Chuck Klosterman on Film and Television by Chuck Klosterman


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