By Chuck Klosterman
From Sex, medicines, and Cocoa Puffs; Chuck Klosterman IV; and Eating the Dinosaur, those essays are actually on hand during this e-book assortment for lovers of Klosterman's writing on rock song.
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Extra info for Chuck Klosterman on Rock
Though I can understand why some fans take umbrage with the amount of unoriginal material on this project, I think that’s an asinine complaint. Van Halen used to be the greatest cover band in the world, and that means a lot. At its core, the beauty of Van Halen is not Eddie’s virtuosity or the strength of its incredible rhythm section; the beauty of Van Halen is that they were fun. Along with side two of Van Halen II this was as fun as it ever got. (Jack Factor: $333) Living Colour, Vivid (1988, CBS): Mick Jagger produced these rasta rockers, and he even loaned his bulbous lips to the backing vocals on “Glamour Boys,” still one of the funniest songs I’ve ever heard, especially when one tries to imagine little nancy boy Mick claiming he’s fierce.
However, the only person who would come up with that kind of analysis is somebody who simply hates heavy metal and wants to make up a bunch of reasons to explain why Fifteen years later, I can experience the same concepts I heard in my bedroom when I first got Pyromania from the RCA Music Service: Controlled aggression that cloaked an Orwellian fear (witness “Stagefright,” “Die Hard the Hunter,” “Foolin’,” and “Billy’s Got a Gun”). It’s stupid to blame Def Leppard for being flawless. Pyromania was metal’s Pretzel Logic—a studio masterpiece that validated the genre.
To be honest, it’s too bad that bass moratorium was eventually lifted. Ever since this LP came out in ’88, Metallica has evolved into a remarkably average band who just happen to play really loud. ” But maybe that’s what people like me said about Zeppelin in 78. ): Generally poohpoohed by most devout Halenheads, I find this their most endearing effort. , the six minutes and twenty-four seconds of “Cathedral,” “Secrets,” and “Intruder”). ). Though I can understand why some fans take umbrage with the amount of unoriginal material on this project, I think that’s an asinine complaint.
Chuck Klosterman on Rock by Chuck Klosterman