By Ted Nannicelli, Paul Taberham
ISBN-10: 0415629861
ISBN-13: 9780415629867
Across the academy, students are debating the query of what bearing medical inquiry has upon the arts. the newest addition to the AFI movie Readers sequence, Cognitive Media Theory takes up this question within the context of movie and media stories. This selection of essays through the world over well-known researchers in movie and media reviews, psychology, and philosophy deals movie and media students and complex scholars an creation to modern cognitive media theory—an method of the research of various media types and content material that pulls upon either the equipment and causes of the sciences and the arts. Exploring themes that variety from colour belief to the ethical appraisal of characters to our interactive engagement with videogames, Cognitive Media Theory showcases the richness and variety of cognitivist learn. This quantity may be of curiosity not just to scholars and students of movie and media, yet to an individual drawn to the opportunity of a effective courting among the sciences and humanities.
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Extra resources for Cognitive Media Theory
Sample text
David Bordwell, “Poetics of Cinema,” in Poetics of Cinema (New York: Routledge, 2008), 44. 28. , 44. See Daniel Barratt’s essay in this volume for further reflection on this idea. 29. For a good discussion of the concept, see David Papineau, “Naturalism,” The Stanford Encyclopedia of Philosophy (2007 edition), edited by Edward N. Zalta. edu/entries/naturalism/ (accessed April 24, 2013). 30. Murray Smith, “The Pit of Naturalism,” in this volume. 31. ” in The Philosophy of Film: Introductory Text and Readings, ed.
David Bordwell, Narration in the Fiction Film (Madison: University of Wisconsin Press, 1985); Edward Branigan, Narrative Comprehension and Film, Sightlines (London: Routledge, 1992); Noël Carroll, The Philosophy of Horror, or Paradoxes of the Heart (London and New York: Routledge, 1990); Torben Grodal, Moving Pictures: A New Theory of Film Genres, Feelings, and Cognition (Oxford: Clarendon Press, 1997); Carl R. Plantinga, Rhetoric and Representation in Nonfiction Film, Cambridge Studies in Film (Cambridge: Cambridge University Press, 1997); Murray Smith, Engaging Characters: Fiction, Emotion, and the Cinema (Oxford: Clarendon Press, 1995).
Zalta. edu/entries/naturalism/ (accessed April 24, 2013). 30. Murray Smith, “The Pit of Naturalism,” in this volume. 31. ” in The Philosophy of Film: Introductory Text and Readings, ed. Thomas E. Wartenberg and Angela Curran (Malden, MA: Blackwell, 2005), 21–32. 32. Malcolm Turvey, “Evolutionary Film Theory,” 48–49 in this volume. 33. Murray Smith, “Film and Philosophy,” in The SAGE Handbook of Film Studies, ed. James Donald and Michael Renov (London: SAGE, 2008), 159. 34. ” David Bordwell, “The Part-Time Cognitivist: A View from Film Studies,” Projections: The Journal for Movies and Mind 4, no.
Cognitive Media Theory by Ted Nannicelli, Paul Taberham
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