By Jenefer Robinson
Deeper than cause takes the insights of recent clinical study at the feelings and makes use of them to light up questions about our emotional involvement with the humanities. Robinson starts off via laying out a conception of emotion, one who is supported via the simplest facts from present empirical paintings, after which within the mild of this thought examines many of the ways that the sentiments functionality within the arts. Written in a transparent and interesting type, her booklet will make attention-grabbing interpreting for somebody attracted to the sentiments and the way they paintings, in addition to someone engaged with the humanities and aesthetics, particularly with questions on emotional expression within the arts, emotional event of artwork varieties, and, extra often, inventive interpretation.
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Extra resources for Deeper than Reason: Emotion and Its Role in Literature, Music, and Art
21 Like all psychologists, Lazarus is trying to come up with a framework for the scientific study of the emotions, and so he is naturally more interested in a general account of the cognitive appraisals that he thinks are necessary to basic types of emotion rather then coming up with accurate accounts of how to use English words such as ‘angry’, ‘sad’, or ‘disgusting’. Philosophers have a tendency to think of emotions as mental states directed at propositions. This makes an emotion seem like a purely internal mental phenomenon.
More recently, one of Ekman’s collaborators, Robert Levenson, has asserted that we can identify ‘four reliable differences among the negative emotions of anger, disgust, fear, and sadness’ and a possible fifth. These are: (a) anger produces a larger increase in heart rate than disgust; (b) fear produces a larger increase in heart rate than disgust; (c) sadness produces a larger increase in heart rate than disgust; and (d) anger produces a larger increase in finger temperature than fear. . 8 But the evidence for emotion-specific physiology is hardly mind-boggling.
Anger, for example, can vary in strength, ranging from annoyance to rage, and in type, such as sullen anger, resentful anger, indignant anger, and cold anger, to mention just a few,’13 and these differences are written on the face. Ekman and his associate W. V. Friesen found more than sixty anger expressions. However, what is important is that each of the anger expressions shares particular muscular patterns, by means of which they can be reliably distinguished from the family of fear expressions, disgust expressions, and so on.
Deeper than Reason: Emotion and Its Role in Literature, Music, and Art by Jenefer Robinson