By George A. Reisch, Richard Greene, Rachel Robison
What explains the massive renowned following for Dexter, presently the most-watched convey on cable, which sympathetically depicts a serial killer pushed by means of a merciless compulsion to brutally slay one sufferer after another?
even if Dexter Morgan kills simply killers, he isn't a vigilante lively by means of a feeling of justice yet a captivating psychopath lively via a lust to kill, ritualistically and bloodily. even if his gory urge for food is managed through Harry’s Code,” which limits his sufferers to people who have got away with homicide, and his task as a blood spatter professional for the Miami police division provides him the news on simply who these valid ambitions could be.
In Dexter and Philosophy, an elite workforce of philosophers don their rubber gloves and placed Dexter’s deeds lower than the microscope. considering Dexter is pushed to ritual homicide by way of his Dark Passenger,” can he be blamed for killing, particularly as he basically murders different murderers? Does Dexter healthy the profile of the wide-spread fictional form of the superhero? What half does good fortune play in making Dexter who he's? How and why are horror and disgust changed into aesthetic excitement for the television viewer? How crucial is Dexter’s emotional coldness to his lust for cutting humans up? Are Dexter’s lies and deceptions any worse than the lies and deceptions of the non-criminals round him? Why does Dexter lengthy to be a typical man or woman and why can’t he accomplish this it appears uncomplicated objective?
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Extra resources for Dexter and Philosophy: Mind over Spatter (Popular Culture and Philosophy)
Third, USA for Africa’s message of global multiculturalism and human universalism is presented using the commercial rhetoric of mass advertising, similar to Pepsi and especially CocaCola commercials, thereby not only turning the act of benevolence into an act of consumption, but also suggesting that world citizenship can be reduced to global consumerism within a free market economy. Here I should emphasize that “We Are the World” does present a conception rather than a construction of the world, one which can be contested, resisted, or interpreted differently.
26 September 2001), and “Americans Take Action” (27 September 2001). In the months that followed, The Oprah Winfrey Show continued to devote regular attention to 9/11 and its aftermath, specifically showing how American viewers should cope with the threat of terrorism within their daily lives, educating the American viewers about Islam within an international context, providing a forum for both experts and viewers to discuss international politics, and, most significantly, restoring the faith in an imagined America and its ideals of freedom and democracy.
21 Moreover, the effective combination of American citizenship with consumerism is heavily invested with American ideology. Oprah Winfrey herself, as a formerly overweight African-American woman who became one of the most powerful individuals in the American media industry, embodies an American success story, whose star myth (Oprah’s American Dream) is reinforced by each episode of her talk show. 22 In addition to using Winfrey’s star myth, The Oprah Winfrey Show regularly employs American celebrities, who appear on the show to promote themselves and their recent products by revealing a glimpse of their personal lives, suggesting that they too are just ordinary people, encountering the same problems as the Oprah!
Dexter and Philosophy: Mind over Spatter (Popular Culture and Philosophy) by George A. Reisch, Richard Greene, Rachel Robison